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A scientific study published in Public Health in 2016 shows clear-cut evidence for the benefit of attending live music events. The groundbreaking test comes in at the biological level, as scientists measured levels of cortisol and cortisone both before and after a concert.Cortisol is a hormone factor, produced under conditions of psychological stress. By measuring saliva samples before and after a specific concert, the entirety of the 117 participants showed major reductions in cortisol levels after the fact.While previous studies had shown similar results, this was the first conducted in a natural concert setting, as opposed to a laboratory. The results showed that cortisol levels were reduced in participants of all ages.“These results are in line with 22 previous studies showing that listening to music in the controlled setting of either a laboratory or a hospital can reduce cortisol levels,” said one researcher in an interview with The Telegraph. “It is of note that none of these biological changes were associated with age, musical experience or familiarity with the music being performed. This suggests there is a universal response to concert attendance among audience members.”The one drawback, however, is that the music selection was limited to classical. Further research would be needed to see if other genres show similar conclusions. Still, as lead researcher Daisy Fancourt said, “This is the first preliminary evidence that attending a cultural event can have an impact on endocrine activity.”So, keep on living for live music!
Reggae rockers Rebelution have released their fifth studio album, Falling Into Place. The Santa Barbara-based group has been making music together for more than twelve years and has managed to maintain a consistent sound without going stale. Released on the band’s own 87 Music label in partnership with NYC’s Easy Star Records (just as with their last album “Count Me In”), Falling Into Place is a cohesive display of bandmates rooted in reggae, yet comfortable enough to experiment with their collective influences, including dancehall, hip-hop, and funk.Listen to the album below, streaming via Spotify.Never shy about singing for and about the ladies, frontman Eric Rachmany delivers racy lines like “Slap on some reggae, get the room to bubble up / So I can work your body from sundown to sun up” in the sensual tune “Pretty Lady.” The equally sultry “Santa Barbara” is a love song dedicated to a wild-eyed one that got away, as well as the city where it all began for Rebelution. “Upper Hand” bemoans a power struggle, and while some critics have been quick to call this track “pop”-y, others have come to the band’s defense to explain that what we’re hearing is traditional Jamaican dancehall-inspired beats. Speaking of haters, Rachmany explained on his live stream of the album this past Thursday, that the opening track, “Know It All,” is a big middle finger to all those who spew hate online, hiding cowardly behind their computer screens. Preach it! (Before learning this, the fan theory that this song was about Donald Trump was also hilariously viable…)A Rebelution album would be incomplete without a solid ganja anthem or two, and “Inhale Exhale” is just that. This song features Jamaican reggae artist Protoje, and gives a shout-out to the impressive lift provided by cannabis from California, Washington, Oregon, Colorado, and of course, Jamaica. Nothing will quite top 2007’s “Green To Black,” but it’s still a dope track that will no doubt incite the urge to spark one up, if you hadn’t already.Things get personal on “Those Days,” which Rachmany professed is his personal favorite, and features a chord progression he developed before Rebelution even existed. This autobiographical track really gives listeners a peek into the frontman’s upbringing in San Francisco. Influenced by the Bay area rap, hip-hop, and funk of his childhood, “Lay My Claim” is his second favorite, and is both inspirational and cocky (in the best sense of the word). The album concludes with “Breakdown,” a cautionary tune pleading us to slow down and enjoy time, as we have it.Overall, Falling Into Place delivers the feel-good vibes we’ve grown to depend on, along with fresh energy and the confidence that comes from being one of the most well known and loved reggae roots bands in the game. This release, combined with a supporting summer tour, will assuredly capture the hearts of a wide array of old and new fans all across the country.You can purchase a physical or digital copy of the album here. Sit back, relax, and let the music get up in ya!
Wisconsin acoustic ragers Horseshoes & Handgrenades has seen their stock rise in the music community over the past year or so, behind a workhorse load of touring and bringing the people what they want: hard-picking bluegrass and old-time music. They’ve toured with heavyweights like Yonder Mountain String Band and Greensky Bluegrass and been able to impress people in new places with both their intense musicality and their palpable enjoyment that comes from playing in front of people. Probably the person who sports the biggest grin during shows is singer and guitarist Adam Greuel. Live for Live Music’s Garrett Bethmann had the chance to talk with him Saturday at the High Sierra Music Festival in Quincy, CA as he was preparing for a long day of workshops and late-night sets. A sort of mutual admiration society commenced as Greuel revealed his religious dedication to checking up on Live for Live Music to check the pulse of the live music scene, and we revealed our love for what Horseshoes & Hand Grenades are doing up on stage.Bright days are ahead for Greuel and company! Read below to find out where the guitarist thinks you can find some of the best musicians at a festival and what the plan is for a new album.This interview has been edited slightly for length and clarity.Live For Live Music: I have a recorder on both my phone and my computer, I am using the computer today just cause it is a little more high-tech. Adam Greuel: My buddy Charlie Parr, he’s recording like shit tons of demos and stuff on his phone while he’s driving. Its funny because its Charlie Parr, a rootsy, organic dude, and I am just envisioning him driving his truck and recording on his iPhone, sort of struggling (laughs).L4LM: I caught y’alls set on Friday and met you at WinterWonderGrass briefly, when you flew in from…Greuel: Yonder! From the Yonder tour. Straight from Austin on the Yonder tour to WinterWonderGrass. And then our fiddler wasn’t able to be there. So Tim Carbone from Railroad came and played the three sets with us and that was a hoot. Then we got to know him sort of well kind of as a result and that was really cool. L4LM: So what has this experience been like, cause this is your first time at High Sierra. What were you guys doing yesterday?Greuel: Again we kind of came in on a whim. We had gotten here just before our set. I think one cool thing from California festivals is the vibe of the people. It is just so damn mellow. So laid back and kind. They have this gentle kindness to them, and you can feel that and it is fun to be a part of. It is fun to take a little bit of our midwest roots and bring it out west where maybe people haven’t seen that kind of thing. It certainly feels that way in the times we’ve been out here. But the positive energy is alive and well here at High Sierra.L4LM: This is my first time here at this festival and you guys hit up a lot of festivals I am sure, right? But how many are you able to actually stay and enjoy? You guys are playing tonight as well with Greensky.Greuel: Dude that is the best! You’re right, a lot of the times we have to come in and leave right away. But it is sweet when you get to spend time at a festival and you begin to understand the sense of family and community that exists at music festivals, that along with music pulls people there. That energy that is created by people helping one another or getting behind something together. The energy of the collective. You get to start to see that. Like here, you walk around, and everyone is down to help each other. Like “Hey do you have a beer? You look like you need a beer.” Or, “Hey you’re hungry? I just cooked up some food and come on over to our camp and hang out.”You get to see the kindness of people and the culture of the people in that area. L4LM: What has the vibe at High Sierra been like?Greuel: It was good. Our set was really, really fun. We had shown up really quick and everyone who runs the festival was super nice, way down to help you out. It’s interesting because the crowd is a lot more mellow. Like definitely when the song ends they’re really excited and rage, but during the song there is a lot of minds really thinking about the music, which is different than what we are used to in the upper midwest. So that was a neat component. I’m excited tonight about our late night set and that is really one of our more favorite times to play; play at midnight with our friends Greensky Bluegrass. That will be raging. We got to know them after a month long tour this year. We are also hosting at like 5:15 p.m. we are hosting a pick, a bluegrass pick. There are a lot of great americana and folk bands that are here like Gipsy Moon and Billy Strings and the bluegrass pick will be a chance to play with everyone. L4LM: Have you ever doing anything like that?Greuel: We are sort of notorious for fostering collaboration. We dig on that. It is a strong component in all of the americana scene, I think. There is a language we are all speaking with music that makes it easy for those collaborations. Even if you don’t know the song you can sort of communicate it using your instrument to fellow musicians. We love feeling other bands vibes, getting to co-mingle. Cause there is so much new music happening. The more you travel around the more you realize you are just a small piece of the puzzle. L4LM: Yeah, one thing that has been fun for me is walking around the campgrounds because right where I am camped there are like three bands that all brought in their equipment and are jamming all throughout the day and night. Have you been able to get into the campgrounds at all?Greuel: That is awesome! So that will be my tonight. We had a big day yesterday and I zonked out early. I did catch Chis Robinson Brotherhood who I had never seen before. I wanted to catch their set after I met Neal (Casal), their guitar player, when he was working with the Hard Working Americans— and still is. So that was sweet. I love the campfire jams because some of the best songwriters and musicians are there, not on the stages. Just cause 2,000 people are at a show enjoying someone’s music, doesn’t mean they are any better or have any more musicianship than the guy playing for five friends in his campsite. I find that to be really inspirational. There is so much good music out there and you never know who you are going to stumble upon that will revitalize your muse. L4LM: Is there anyone you want to see Saturday?Greuel: Dr. Dog. A lot of friends have hipped me to them but I haven’t heard one song of theirs, so I going to heed the call. But I don’t know man, I love all the kinds of music. One thing about Horseshoes and Handgrenades is that we are rooted in bluegrass and old-time music, but our approach to it is really open. We want to take any of our musical interests and incorporate it into acoustic music. For instance our bass player Sam (Odin) is really into Miles Davis and jazz.L4LM: He looks like he is into jazz.Greuel: Yeah he does (laughs), and he’s good at it too. Our accordion and harmonica player Dave (Lynch) is really into cajun music. That works its way into our stuff. I love that San Francisco rock and roll. Chris Robinson Brotherhood was awesome for what I am into. But we like it all and at a festival like High Sierra, where it is just a big ball of music, it is a great fit for us to walk around and experience it all and put it in our pocket for later in our own music. L4LM: What are you guys working on right now? I know you guys have a lot of things on SoundCloud and are touring a bunch. When can we look forward to something getting pressed to tape?Greuel: So there are five guys in the band and we all song write often. It is just part of my life, I’ll write a couple songs in a week. There is tons of material all the time. The biggest obstacle to recording is the fact we love touring. So this winter we’ve specifically planned to take time off to record a record and come out with that at some point in 2017, probably the first half. We’ve got three studio albums so far so this will be the fourth one. I think we are going to have some friends come on there and do some recording, friends we’ve met along the way like Tim Carbone. We are going to see where it takes us, we’re excited about it with plenty of songs to choose from. L4LM: I’m really excited for new music and seeing you play. You always look like you are so stoked to be up there playing, which I really appreciate and gravitate towards.Greuel: I mean it comes from a place of joy and a real sense of happiness. I think if folks can come to a show and forget about everything else for an hour and a half, and if helps them feel good that is awesome. It makes me feel really, really good. Music for me is an outlet and I don’t know if I ever feel better than when I am up on stage playing and I can look out into the crowd and see folks beaming with a smile, or crying, or even zoning out. Whatever people need to do I hope we can help facilitate that and they can get the release they need. That is the biggest joy in playing music.
What has been a stellar Camp Bisco this year, continued on Day Two with some serious sets from acts such as Odesza, Griz, Thundercat, Lettuce, 12th Planet, The Polish Ambassador, Mija, and more. And, as always, day two witnessed two full sets of pure, unadulterated Biscuits, which featured monster inverted “Mulberry’s Dream” in the first set that came out of “Caterpillar”. Also of note during the first set was the dark, techno jam that came out of “Feeling Twisted” (check it out below around the 1:22:00 mark).Second set was non-stop party as the Philly band opened up with “Strobelights & Martinis > Spraypaint”, and instead of going into “Rainbow Song” the Biscuits took a re-route to “Lunar Pursuit > Helicopters (ending only). The beginning of “Nughuffer” finished off the dyslexic version that the band began the previous day, and finished the set properly with the ending section of “Spraypaint”.Check out video of the first set from Day Two below, courtesy of UphoricTV Presents. We will update when set two is available:The Disco Biscuits Setlist – Camp Bisco – Scranton, PA – 7/15/16Set 1: Jamilia > Park Ave. > Caterpillar > Mulberry’s Dream* > Feeling Twisted > CaterpillarSet 2: Strobelights & Martinis > Spraypaint > Lunar Pursuit > Helicopter#, Spaga, Nughuffer > Spraypaint[cover photo courtesy of Dave Vann @dv_in_sf and Camp Bisco]
It’s a funky New Year’s celebration! On December 30-31, Turkuaz will keep up the tradition and celebrate NYE with their annual The Ball Drop show. Coming to the Fete Ballroom in Providence, RI, Turkuaz has put together a truly fun lineup for the two nights of music that will certainly keep you dancing through the end of 2016.The show features Turkuaz playing both nights, with support from Moon Hooch on night one and from both Kung Fu and West End Blend on night two. After a truly successful year that saw the band play at festivals nationwide, this is sure to be a celebration in the truest sense of the word.For tickets and more information, head here. Enter to win tickets & more below.
Blue Note Jazz Club and City Of The Sun have just announced an upcoming prolific late night residency, spanning from October 2016 through January 2017, at the Blue Note Jazz Club on weekend nights at 12:30AM. Following a recent sold out headlining performance at Irving Plaza on Fri, Oct 14, City Of The Sun is gearing up for four Blue Note late night shows, promising to deliver surprise special guests and new original music.City of the Sun is an instrumental post-rock trio based in Brooklyn, NY. Formed in 2011, COS features guitarists John Pita, Avi Snow, and percussionist Zach Para. They gained their initial popularity in NYC playing the streets and subways, then graduated to selling out major New York venues. Performing at Ted talk conferences and Sofar Sounds secret shows helped to bring their worldly, “genre-bending” sound to more ears––cross-country and world-wide. Their live LP, “to the sun and all the cities in between” was released in March 2016, landing at #12 on the Billboard Jazz Albums chart.To get you in the mood for the upcoming residency, City Of The Sun has shared a teaser video for their brand new song “Sugar.” Check out the exciting new video below, exclusively via L4LM.The residency will include four dates in total: October 28th, November 11th, November 26th, and January 6th. Tickets for each show can be found by clicking the corresponding date. You can also find out more information about the band and shows by heading to the band’s website.We can’t wait for this exciting residency! Check out the full run artwork below.[Cover photo by Drex Drechsel]
When it comes to modern funky music, not many are doing it better than Turkuaz and The New Mastersounds. Each band has been road-tested and fan-approved, bringing their big dance party sounds to fans across the country. When these groups share the stage, the energy is seriously through the roof. That’s why we can’t wait for their tour to hit Terminal 5 in New York, NY, on Friday, December 2nd. Tickets can be found here.The pairing between these two bands started last summer, when the bands got together after High Sierra Music Festival for a meeting of the minds at Sharkbite Studios in Oakland, CA. The resulting session saw each band cover a track from the other’s catalog, with their collaborative help, of course. The two tracks they laid down – Turkuaz’s rendition of NMS’s “On The Border” and New Mastersounds’ rendition of Turkuaz’s “The Rules” – were recently released as the Split 7″ EP.Their tour just kicked off with a few nights in Colorado, including a great show in Boulder, CO that we reviewed here. Each show with these two bands turns the energy up the max, as Turkuaz’s funk army style is matched by the chilled out funky grooves of The New Mastersounds. Expect exciting collaborations and non-stop dancing when these two bands come to town!Be sure to catch Turkuaz and The New Mastersounds in New York City when they come into town on Friday, December 2nd. Tickets are still available here, so don’t miss a beat.Enter to win tickets:[Photo by Dani Brandwein]
Colorado-based trio SunSquabi is on the precipice of releasing their sophomore album, Deluxe, which comes out on Friday, April 7th via GRiZ’s All Good Records. The trio is known for their fusion of live instrumentation and electronic music in a live setting, and their latest album captures their unique sound. To get us all stoked on Deluxe, Sunsquabi just released a final single from the album, the title track “Deluxe,” which joins three other tracks that have been released off the project in recent months: “Pygmy Up ” featuring Russ Liquid, “Cinnamon” featuring Late Night Radio, and “Dexter.”You can listen to this new single from SunSquabi below. Check out their website to cop the new album when it drops and to peep the group’s upcoming tour dates. East coast fans who like what they hear coming from SunSquabi have cause to be stoked. Colorado is coming to New York, with SunSquabi just announcing a show at American Beauty in NYC on Saturday, April 29th, along with other hot up-and-comers Late Night Radio and Maddy O’Neal. There is a good reason that these acts are packing out venues all over The Rockies on a regular basis, and it’s an opportunity for those in the Northeast to bear witness (purchase tickets here).
[Photo: Andrew Rios]Setlist: Joe Russo’s Almost Dead | 1st Bank Center | Broomfield, CO | 4/29/2017Set One (8:39PM – 10:17PM): Shelter From The Storm @ (TH) -> Bertha > Let It Grow -> No Quarter Jam # -> Help On The Way > Slipknot! $ > Throwing Stones, Must Have Been Roses, Gonesville % (SM) -> Shakedown Street ^Set Two (10:45PM – 12:53AM)&&: Morfbeats & -> Space *-> Dark Star + -> Half Step -> Estimated Prophet -> Terrapin Suite > The Other One > Eyes Of The World @@Encore One: One More Saturday Night -> Cold Rain & Snow Jam ## -> One More Saturday Night Reprise ##, Not Fade Away $$ -> Tequila Jam -> Not Fade Away RepriseEncore Two: Ripple, Born To Run %%Notes:@ – Bob Dylan Cover, First Time Played by Almost Dead# – Not played by Almost Dead since The Belly Up, Aspen, CO, 2016-07-02, a gap of 32 shows$ – With a “Duo Jam”% – Bob Weir cover, from “Blue Mountain”, First Time Played by Almost Dead^ – With short China Cat & Cold Rain & Snow Jams (Band)& – Kind of a Drums -> Space Hybrid, with Joe, Adam Morford, Billy Martin & John Medeski, playing crazy percussion instruments created & built by Adam Morford on a riser behind Joe’s kit. Eventually Marco, Tommy, Dave & Scott joined in & the segment evolved into Space. First Time Played by Almost Dead.&& – Entire second set from Space on & encore with Stuart Bogie on Sax, flute & clarinet.* – With John Medeski on percussion & then Hammond Organ and Billy Martin & Adam Morford on Percussion+ – With John Medeski on Hammond Organ and Billy Martin & Adam Morford on [email protected]@ – With a tease of what I think was a Tears for Fears tune (TH)## – First Time Played by Almost Dead$$ – With Black Throated Wind teases (SM), Chuckles (WOLF) Teases (SM) and a “Duo Jam”%% – Played with the house lights on Joe Russo’s Almost Dead’s Taper Tuesday is upon us yet again. For the 39th installment of the series, the group has just released the soundboards from the Grateful Dead ensemble’s arena debut at the 1st Bank Center in Broomfield, Colorado, back at the end of April. While originally scheduled for Almost Dead’s Red Rocks debut, following dangerous weather conditions, the group had to suddenly change their plans, leading to their performance at the 1st Bank.Joe Russo’s Almost Dead Details Rescheduled Red Rocks ShowSupported by Medeski, Martin, & Wood, Joe Russo’s Almost Dead still had some special surprises planned for the night, including a massive collaborative “Drums/Space” > “Dark Star” to open the second set, which saw John Medeski, Billy Martin, Adam Morford (Morfbeats), and Stuart Bogie join the group ahead of a tight second set housing a massive “Terrapin Suite.” The night also saw the group debut covers of Bob Dylan’s “Shelter From The Storm” and Bob Weir’s “Gonesville” during their first set, and during a surprise second encore, Joe Russo’s Almost Dead closed out their show with the house lights up while debuting Bruce Springsteen’s “Born To Run” (following Joe Russo’s announcement, “Now, for something completely different”). You can check out the official soundboard from Joe Russo’s Almost Dead’s 1st Bank performance below, as well as Live For Live Music’s full recap of the night.Now For Something Completely Different: Joe Russo’s Almost Dead’s Spectacular Arena Debut